The Fox Hunt (1931) - The Internet Animation Database

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Cumulative rating:	(1 rating submitted)

Synopsis

As the title indicates, a wild fox hunt ends when the hunters encounter a skunk instead of a fox.

Trivia

This short was remade as a Donald and Goofy short in 1938, also called "The Fox Hunt."
- Announced release: November 20, 1931
- Copyright date: November 24, 1931

Television

The Mickey Mouse Club (Season 2, Episode 32)

DVD

United States

More Silly Symphonies Volume 2

Technical Specifications

Running Time: 6:21

Animation Type: Standard (Hand-drawn-Cel) Animation

Aspect Ratio: 1.37 : 1

Color Type: Black and White

Sound Type: Mono: Cinephone

Print Type: 35mm

Negative Type: 35mm

Cinematographic Format: Spherical

Original Language: English

Original Country: United States

Reviews and Comments

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From Jerry Edwards :

A "typically British" fox hunt is shown but with several gags added. One hunter has misadventures riding a pig and a porcupine. One hunter catches the fox by the tail as it runs into a log. As the other hunters gather around the log, the hunter pulls out ... a skunk. The hunters quickly pull a disappearing act as the skunk and fox shake hands. One drawback to the short for me is that, most of the time, the hunters are shown as identical, as are their horses. I realize this made it easier and cheaper to animated, but it does detract from the cartoon for me.

From B. D. :

You're correct in your definition - according to the Oxford English Dictionary, an anglophile is "a person who is fond of or greatly admires England or Britain".

The ending of this short, with the hunters discovering a skunk instead of a fox, is re-used from the Oswald short The Fox Chase and will occur again later on in the Donald and Goofy fox hunting cartoon. According to Jerry Beck on the DVD commentary for the Oswald short, the three films don't share any special connections beyond their basic themes, so the animators must have just thought it was a good way to end a short about fox hunting.

From Mac :

This one's quite fun and different for a Silly Symphony. After carefully setting the atmosphere of dawn break, (with impressive backgrounds, lighting effects and striking use of silhouettes), things gradually get more cartoony and silly with the introduction of the hunters. Then, once the chase is on, it becomes the most gag-packed Silly Symphony yet – influenced by the earlier Oswald The Fox Chase when shorts were all about keeping the action moving with non-stop movement and gags.

Like The Clock Store, most of the score is adapted from one source, in this case "Hunt in the Black Forest" by George R. Voelker Jr (thanks again to Merritt and Kaufman!). I suppose the idea of hunting brought to mind a more English feel than a German one to the American staff at Disney! I like the humorous portrayal of the English upper class in this one. For the sake of a joke, they take liberty with our wildlife as we don't get skunks over here! However, it's nice that the hunter lands on what could be a hedgehog rather than a porcupine!

From Ryan Kilpatrick at The Disney Film Project :

I have to admit it, I am an Anglophile. At least I think I am. I love all things British. So if that is not what that word means, then please forgive me. So it should be no surprise that I thought The Fox Hunt was a particularly good Silly Symphony.

The premise of using an old style British fox hunt as the subject for a cartoon is one that we have seen time and again in animation. There’s even a Donald/Goofy version of this short that shows up later in our viewing. But the reason its used so often is that the act involves such great humor.

Simply releasing a fox and having aristocrats chase the fox on horses is absurd enough, but throw in a pack of dogs assisting and you have several opportunities for gags. This short takes advantage of those gags in spades. It’s fast paced and funny from the moment the horn is blown.

The problem is, the horn is blown too late in the short. It’s almost halfway through the short when the fox hunt is kicked off. The first half of the short is taken up with the hunters gathering outside a blacksmith shop, or being seen in silhouette on a local hilltop.

While these are interesting shots, they don’t add to the experience. It’s the type of expository sequence you would expect in a longer film. If you recall, there was a similar set of exposition in yesterday’s short, The Barnyard Broadcast. This is what made the Warner Bros. shorts so fun, is that they gave you a quick premise and then started straight into the gags. The Disney way is possibly better storytelling (although that is debatable), but it makes the shorts a little less fun.

However, when Disney gets into features, you could see the groundwork being laid in these kinds of shorts. Nothing here is a gag for a gag’s sake. Even once the fox hunt begins, the gags feature characters involved in the pursuit. Take for instance the aristocrat who ends up getting knocked off his horse and onto a succession of different animals. He moves from a cow, to a pig, to a porcupine and finally to a log on the back of several of the hunting dogs.

The difference is, this man is the main character in this part of the short, and his pursuit of the fox makes all the difference in the ultimate outcome. He is the one that all the other hunters gather around at the end of the short, when he has the fox trapped in a log. When he ends up pulling out a skunk instead, it gives a fun ending to the proceedings.

The animation in this is rather crude by Disney standards. Most of the action takes place from a distance, with details of the characters not identifiable. Even when we do get close ups, the characters are rather bland. That said, there is great humor in this short from the gags mentioned before to the actions of the blacksmiths getting ready. In all, it makes for an enjoyable, if forgettable, short.

Credits

Screenshots

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History

12/3/2012

Screenshots added by eutychus

3/29/2013

Video Link added by eutychus

6/23/2014

Video Link added by eutychus

8/25/2014

Animation type added by eutychus
Color type added by eutychus
Sound type added by eutychus

3/9/2015

Home video info added by Toonatic

6/14/2017

Credits added by kintutoons32

10/30/2018

10/29/2020

Sources

Wilfred Jackson: Director

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Johnny Cannon: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Leslie James "Les" Clark: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Frenchy de Tremaudan: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Joaquin Rodolfo "Rudy" Zamora: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Dave Hand: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Ben Sharpsteen: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Marvin Woodward: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Dick Williams (I): Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Charles Hutchinson: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Cecil Surrey: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Jack Cutting: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Harry Reeves: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Frank Tipper: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Hardie Gramatky: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Albert Hurter: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Dick Lundy: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

James Patton "Jack" King: Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Charles "Chuck" Couch: Asst. Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Joseph "Joe" D'Igalo: Asst. Animator

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Charles Philippi: Layout

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Carlos Manriquez: Backgrounds

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Emil Flohri: Backgrounds

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Mique Nelson: Backgrounds

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Frank Churchill: Music

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Richard Edwards: Voices

Verified by "Silly Symphonies" by Russell Merritt and J. B. Kaufman

Walter Elias "Walt" Disney: Producer

Verified by onscreen credits (not always reliable)

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