When the Cat's Away
Studio: Disney Release Date : May 3, 1929 Series: Mickey Mouse

Cumulative rating:
(4 ratings submitted)


While Tom Cat, drunk on bootlegged hooch, is away hunting, Mickey, Minnie, and an army of mice ransack the feline's home for food.


Mickey Mouse
Minnie Mouse


Note: "Unverified" credits may not be correct and should be taken with a grain of salt.


Walter Elias "Walt" Disney (unverified)


Carl W. Stalling (unverified)


Walter Elias "Walt" Disney

Cut Scenes

  • A scene of Kat Nipp drinking liquor in the opening scene.


  • A remake of the Alice short Alice Rattled by Rats.
  • This was the first Disney sound cartoon to have its soundtrack recorded in Los Angeles rather than in New York.


The Mickey Mouse Club (Season 1, Episode 89)


United States

Mickey Mouse in Black and White - Volume 2


Mickey Mouse in Black and White Volume 2

Technical Specifications

Running Time: 6:42
Animation Type: Standard (Hand-drawn-Cel) Animation
Aspect Ratio: 1.37 : 1
Cinematographic Format: Spherical
Color Type: Black and White
Negative Type: 35mm
Original Country: United States
Original Language: English
Print Type: 35mm
Sound Type: Mono: Cinephone

Reviews and Comments

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From Thomas Mulligan :

I like the way when Mickey, Minnie, and all of their mouse friends sing and dance!

From Mark Yorsaner :

Overall, it was OK (small Minnie and Mickey were kinda cute) , although I wouldn't recommend watching it if you don't like vermin. When you have mice, rats and roaches scurrying all around in a relatively nice looking house, it may make some people nervous.

From Jerry Edwards :

When the cat, owner of the house, leaves to go hunting for the day, the mice take over the house to play. Mickey and Minnie tap dance on a piano keyboard, playing some popular tunes. I've always considered this a very odd Mickey cartoon, with Mickey, Minnie and the other mice shown to be closer to the size of real mice, instead of the "usual" near human size. Also odd is that, while most of the other mice have more "rat-like" faces, it is sometimes difficult to tell them from Mickey, since some of them also wear Mickey's style of short pants. One fun gag is that one of the mice turns into a key so that Mickey can use "him" to unlock the door to the house. Another fun gag is where a block of Swiss cheese is cut so that it can be played on a player piano. A fun cartoon, once I got over the shock of the mini-Mickey and mini-Minnie.

From Gijs Grob :

Awkwardly, in this cartoon Mickey and Minnie are portrayed as real mice. They are joined by several look-a-likes in a house party, while the owner, a drunk cat, is gone hunting. There's still some silent comedy (and no dialogue), but there's no real story, only an extended musical number. Therefore I regard this cartoon as the first of many "song and dance routine" cartoons. (It predates the Silly Symphony series, which initial sole raison d'etre seems to be song and dance routines). These cartoons no doubt delighted the audiences at the time. However, I regret their coming, because both story and surreal humor had to give way to the rise of them. When the Cat's Away for example, despite some clever gags, easily is the dullest of the earliest Mickey Mouse cartoons.

From Ryan :

Isn't that unusual? Mickey and Minnie were the size of regular mice in this short. I wonder why Disney did this. This short was okay, but I would not call it one of my favorites. One gag I liked was where one mouse put a record on another mouse's snout. Then a third mouse came, put a funnel in his mouth and placed his tail on the record. The first mouse wound up the second mouse's tail and out came the song "Kingdom Coming."

From Hal Niederbrach :

I got this short on "Mickey Mouse In Black and White Volume 2" . I'm surprised that this short is so old (it goes back to 1929) that the Main Title music cue or the music in this short doesn't survive anymore.

From Bill :

This was sort of a strange early Mickey short. Mickey and Minnie and a group of their mouse friends break into Tom Cat's house when he leaves to go fishing. This is odd because it is not something Mickey would do. It is also strange because Mickey and Minnie are the same size as the rest of the mice, "small". Some of the mice are even wearing the same kind of shorts Mickey wears. I attribute this to the fact that the short is an early one in Mickey's career. He was still being developed. But it had the trademark music and dancing which I always enjoyed in the Mickey shorts. It also had some clever gags; Mickey using one of the mice for a key for the lock; Mickey cutting up a wheel of cheese for the player piano; and one clever gag, one of the mice playing a record on his nose and being wound up with his tail by the other one. Not one of the best efforts of the early Mickey's, but enjoyable just the same.

From bcToonist2837 :

This short is inspired by the phrase "When the cat's away, the mice will play." The cat in this case is not Pete, it is what could possibly be a skinnier relative of his. (The cat's name is Tom Cat.) The mice include Mickey, Minnie, and a bunch of their look-alike buddies. Even though the mice usually portrayed in the Mickey shorts are usually human-sized, the mice in this short are actually on scale to their real-life counterparts. (Mickey and Minnie even have to hop on piano keys in order to play the instrument. Mickey is also afraid of a mouse trap larger than him.) The cartoon is loaded with gags I enjoyed. I liked how Mickey uses a sliced roll of cheese to make the player piano play a tune. (The parrot from "Steamboat Willie" also makes a reappearance to badly sing to the music, and then he falls into a spittoon.) Another gag I liked was three mouse making a record player of themselves. This short does not have much of a story, but I still found it entertaining.
See all comments by bcToonist2837

From ToonStar95 :

Upon rewatching, I noticed that there is no underscore like Disney's first two synchronized cartoons. Music is only heard when it's being played, though some sound effects are "performed" by a violin. Overall, even for a plotless musical like this, the pacing is pretty dull.
See all comments by ToonStar95

From ArcLordOne :

Note Stalling voicing parrot.
See all comments by ArcLordOne

From Kevin C. :

You are looking at these films through the eyes of someone who has spent YEARS with Bugs Bunny and Tex Avery. In a way that can't be avoided. How about adding some then- current reviewer's comments to your posts, to put these shorts into their proper historical context? As Ward Kimball tells Richard Williams on page 18 of Williams' "Survival Kit": "You can have NO IDEA of the impact that having these drawings suddenly speak and make noises had on audiences at that time. People went crazy over it". This is LITERAL----Disney, at this time, was the DARLING of the avant guard and was widely viewed as the best that the cinema had to offer. NOT the best CARTOONS had to offer---the best that CINEMA had to offer.

From David Gerstein at Ramapith :

When the Cat's Away is a rather unique case: a short for which an impressive ending was planned—and then discarded prior to animation, for reasons at which I can only guess.

In the early drafts of the story, the mice and rats take time out from their music to torture the parrot, who only appears briefly in the finished film. For the windup, the parrot grabs the phone, calls the police, and reports an intrusion.

The cops rush to the house, guns a-blazing, just in time for Mickey and the gang to disappear into holes and crevices—leaving the police to jump the parrot and beat the hell out of him instead.

When the Cat's Away has a crude musical score, too, by the standards of the tracks that came before it. I wonder whether the crude score and omitted ending represent an effort to keep costs down? But that's just speculation; I haven't researched it.

From Mac :

Kevin makes a good point, that I totally agree with, about how popular these early sound cartoons were at the time and how fresh and new they were. However, I think that Steamboat Willie and the sound versions of Plane Crazy and Gallopin' Gaucho use of catchy music better than the following ones we have seen so far. In the first three, the music flows really well the whole time. However, in this one the music only seems to start if a character initiates it, leaving some almost eerie silences. As a sound cartoon, I think Steamboat Willie is still the best we've seen so far.

As for the story, a much better climax for this one was planned. How do I know this? I learned it from David of course! (on the Golden Age Cartoons forum) I hope he doesn't mind me quoting him here:

"In fact, a lengthier and more satisfying ending WAS originally planned for When the Cat's Away, but it was jettisoned in early 1929 as being too expensive to animate. I don't have the original synopsis with me here, but I remember it pretty clearly.

Notice that the parrot from Steamboat Willie reappears as a pet in the cat's house? As I recall, the parrot gets increasingly worried by the mouse mayhem going on around him. He phones in a riot call to the police, and the whole force charges out of the station in horse-drawn wagons.

The cat returns from the hunt, enters his house and sees devastation. But Mickey and the mice have vanished into holes in the wall and floor. Cue the police, who entering the house see the wreckage, too, and assume the cat is the guilty party. They jump him all at once and the cartoon ends in a blaze of flying fur.

Sound good? Yeah, I'd rather have seen it that way, too."

One of the weirdest things for me is that suddenly Mickey is a normal-sized mouse. It's a big surprise when he suddenly pops out from a hole in the floor early in the short!

From Ryan Kilpatrick at The Disney Film Project :

Kevin, I would include the historical context, but that's sort of different than the intent of the project. I agree that at the time these were the height of the new, but that's not how I'm viewing them.

It's tough, but my requirements when doing this were to view only the Disney cartoons, from start to finish and react to them as to how they work for me. The secondary goal of this project is to see what we can read into Walt's biography from viewing the cartoons, so that's something that I am working at as well.

It's not to say that just because I didn't care for this cartoon that it's bad. Everything is subjective here, and should be treated as such. I will be the first to say that I am not an expert, and leave the historical context to David and my other commenters like yourself. To me, that's the fun of this, is building a community of folks who are following along as we go.

David and Mac, great info about the planned ending. I think that would have made a big difference. We'll see going forward if the same issues are present.

From B. D. :

That parrot seems to have been a regularly recurring character in the early Mickeys - he's in Steamboat Willie, The Barn Dance, this short (albeit only briefly), and The Gorilla Mystery later on. A parrot appears in Mickey's Parrot in 1938, but it's probably not supposed to be the same one (unless he was given a very drastic redesign.)

From Ryan Kilpatrick at The Disney Film Project :

Alright, I’m back after a week spent at Walt Disney World, reveling in the Disney magic. It was great, thanks for asking, and I was rejuvenated and excited to get back to work today. That’s why it was such a disappointment to watch the latest of our Mickey shorts, the 1929 short When The Cat’s Away.

It’s not that this isn’t an entertaining short. It is. But it’s not original, and it features no real story or character animation. Many people I have read reviewing the early Mickeys complain about the musical interludes. I see now what they are saying. Nearly this entire short consists of a song, followed by a brief interlude, then another song. It’s rather mind numbing if you watch it multiple times, as I tend to do when doing these posts.

The “story” such as it is involves a cat leaving his house behind, with Mickey and his mice pals, including Minnie, taking the opportunity to party. That’s it. I think that’s really where the problem lies. In the Oswalds, Walt and his team created a real sense of story in each short. There was conflict, and you rooted for Oswald to overcome the odds and succeed.

In this short, though, there is nothing of that kind. The simple addition of the cat coming back would work wonders with the story, but that’s seemingly not the point. Instead, the idea is simply to revel in the musical party that Mickey and friends are throwing. It’s fine if you haven’t seen something like it before.

The problem is, I have seen it before. Both Alice the Piper and Alice Rattled By Rats feature similar ideas with rats taking over a house. In fact, the rat sequences in those films are very much the same as this, with the rats dancing and playing to music. There’s even a similar “rats turning themselves into a record player” sequence in this short like in the previous ones.

This is just not an original short, and that’s where I feel let down. Again, it was the standards of the Oswald shorts that raised my expectations. The phenomenal work done on Plane Crazy, The Gallopin’ Gaucho and Steamboat Willie kept expectations high.

Not to say that there are not some good points in this short. There are some neat gags, like Mickey turning one of his rat friends into a key to open the lock to the door, or the way his tail comes around to pick him up when he’s about to fall on a mouse trap. Unfortunately, moments like these are few and far between.

Instead, most of the short is spent with Mickey and Minnie dancing on top of a piano. The score of the short is outlined from the piano, and the rats dance to that. There is one cute bit about the score, as the rats march in whistling the same tune that the cat is whistling as he marches away from the house. It is a nice touch.

Overall, though, I have to say that I hope When The Cat’s Away is a brief departure for the Disney animators, but from what I’ve read, I fear that it’s the beginning of a long stretch of these musical cartoons. If that’s the case, just bear with me, because more reviews will be like this.