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I loved the direction for the opening scenes. The quick swing back to Pluto made his reaction to Dinah a great payoff, and his brief dream of romancing her was funny. So were the three setups Pluto made which Dinah ignored, and I liked how they were shown with the camera pulling back for each set, like a step-by-step process. The character movement wasn't as fluid as it should've been, though. Pluto's dance when he first tried to get Dinah's attention was too simple. Dinah's walk changed each time the camera cut away from her, with her walk the first time she appeared in full view being the best animated walk. But even with these weaknesses I still enjoyed watching and rewatching this scene.
The gags for the chase scene were good. But what I liked the most of this scene was that they ended it very quickly. From then on, Pluto took the offensive in getting out of his predicament, luring Butch into his trap. I didn't expect Dinah's apperance in this scene. So when she did I LOL'ed more than I had in a long while for this series. Butch's pleas with Dinah showed him doing something different from his usual tough guy characterization.
Miscellaneous : Butch was chasing after Pluto already. So Pluto didn't need to dress in drag to lure him to his backyard.
Lots of details to notice here. I liked the throwaway gag of the rabbit in the hat, which Pluto didn't bother to notice. The valentine hole Butch made in the door stayed there for the entire short. And watch out for the cameos of the nephews, and of that conductor from Opera Box.