Old King Cole
Studio: Disney Release Date : July 29, 1933 Series: Silly Symphony

Cumulative rating:
(6 ratings submitted)


The Merry Old Soul throws a jazz party for the citizens of Storyland, featuring hepped-up renditions of everything from "Three Blind Mice" to "Peter, Peter, Pumpkin Eater."


United Artists


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United States

Cartoon Classics : Limited Gold Editions II : The Disney Dream Factory : 1933-1938


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Laserdisc (CLV)

United States

Cartoon Classics : Limited Gold Editions II : The Disney Dream Factory : 1933-1938
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United States

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United Kingdom

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Technical Specifications

Running Time: 7:28
Animation Type: Standard (Hand-drawn-Cel) Animation
Aspect Ratio: 1.37 : 1
Cinematographic Format: Spherical
Color Type: Technicolor
Negative Type: 35mm
Original Country: United States
Original Language: English
Print Type: 35mm
Sound Type: Mono: RCA Sound Recording

Reviews and Comments

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From Jerry Edwards :

For me, a basically uninteresting cartoon - contains nothing special. A remake of the 1931 Mother Goose Melodies. Yet another boring "characters singing and dancing" short.

From David Partington :

This is a gem! The charm lies partly in the lack of a plot; it's just an explosion of pointless (and therefore pure) high spirits. The music is good and the animation, rubbery and Fleischer-like, is appealing precisely because it is typical of it's period. Also the colors are exceptionally vivid; it's obvious that color film was a novelty and that Disney was making the most of it.

From Ryan Kilpatrick at The Disney Film Project :

You knew it had to happen. I’ve been lavishing so much praise on the 1933 Disney shorts, that you knew one day would come when I had not so nice things to say about one of the cartoons. Well, today is the day, because Old King Cole, the latest Silly Symphony, is probably my least favorite of the color cartoons to date.

Why? Because it’s just not likeable or memorable to me. The entire thing is a rehash of the old black and white cartoon, Mother Goose Melodies. The basics are that a bunch of books open up to release the characters within, who all gather at Old King Cole’s castle located in his book. From there, silly dancing ensues, until midnight when the characters scramble back to their own books.

That’s really it. The entire story in a nutshell. So why didn’t I like it? Well, if you’re a longtime reader, you know my preference for story over singing, for a well told tale over silly dancing and songs. That hasn’t changed, which is why I’ve enjoyed the 1933 shorts so much more than earlier ones. Well, Old King Cole is back to the craziness and music model, and not in a good way.

Where some of the early Silly Symphonies like The Skeleton Dance or Hell’s Bells used the music and dance to full effect, here it is merely an excuse to allow short scenes of nursery rhymes to come to life, jumping out of “Pandora’s Box.” The small verses sung over the dancing are fine, but there’s nothing connecting them or engaging the audience. It’s all frantic motion for the sake of motion, with no connective tissue.

Also, the characters in this short were very unappealing to me. I’m not a fan of the animation style used on Old King Cole, with the red bulbous nose and overstated features. Meanwhile, the side characters, such as the Pied Piper or the mice, are not fully formed designs, but are instead just stick figures or less developed than those in other shorts.

Now, that’s not to say that there is nothing good in this short. In fact, it’s a credit to the animators that they were able to draw so many characters by hand and still meet their production deadlines. That’s impressive. There’s also some fun stuff here and there, like Peter the Pumpkin Eater and his wife or Hickory, Dickory and Dock jumping out of Pandora’s Box to sound the midnight bells.

But overall, the gags are not nearly as funny as in the Mickey shorts, the music is much simpler and less story driven than in other Silly Symphonies, and the story falls short. I’d have to say that Old King Cole falls flat for me. I’d be interested to hear what you guys think.

From RJ :

Agreed. Just not a terribly memorable short. Nothing that sets it apart from various other silly symphonies. I don't mind focusing more on music than story occasionally if its done creatively either through interesting themes and sequences or through an exercise in progressive animation techniques. Unfortunately this one had neither of those things.

From Mac :

I've really fallen behind following your blog, but here's some thoughts on Old King Cole! This isn't one of my favorites, but I think I like this one more than you do. Of course I've never minded the odd sing and dance cartoon and this one's got a nicely executed theme. I like how everyone 'pops-up' out of their books to get to the big party, there's plenty of nice music and a large variety of different skits, dances and characters to stop it getting boring. It's a similar idea to Mother Goose Melodies, but I think of this as a kind of updated sequel rather than just a rehash.

I agree that this isn't the best-looking of the Disney cartoons, but like I've said about other cartoons, I think that's got something to do with the Disney artists aiming for a beauty they can't quite reach just yet. There's a ton of detail, but with all those block colors and black outlines, it comes off a little flat. The style is different to the Black and white Mickey's which, in this era, are looking better than ever. The style of the Mickeys has evolved right from the earliest Disney cartoons and has now reached a peak – while everyone in Mickey's world remains black and white, button-eyed and hose-limbed it is better-looking and more consistent than ever. The Silly Symphonies on the other hand are incorporating color and attempting more detailed and realistic characters and settings. Right now it's not perfect and it makes them look less attractive than the Mickeys, but the effort will pay off in the long run...