The set up is a vaudeville stage, where a world famous female performer is appearing, and we see the beginning of her act as the short opens. Multiple dancers on the marquee, appearing in electric lights, fade into the live dancers on stage, in a nice bit.
After we see the dancers do their act for a while, interspersed with shots of the orchestra, we cut to Oswald, outside admiring the poster of his celebrity crush. In a funny gag, he is trying to think of how to get the 50 cent entrance fee, and rests his hand on the poster, strategically placed on the woman’s bottom. The woman in the poster gets offended and moves, causing Oswald to fall.
He schemes many ideas to get in the show through the backstage area, in what is probably the funniest sequence of the Oswalds so far. He tries to run past the guard, flipping and flopping, he jumps over him, he even ties the guard in a knot around a lamppost, only to be stopped by security inside. Finally, he’s able to sneak in under the shadow of a rich fellow headed backstage.
That doesn’t stop the guard, however, who chases Oswald across the stage, flipping the balancing act on stage. Oswald manages to hide in a cage nearby, not realizing that it’s a dangerous tiger cage. He runs out of the cage, back on the stage, and climbs the pole of the balancing act. The tiger comes after him, and Oswald manages to reach the ceiling, hanging on for dear life, with the other member of the balancing team hanging on him.
Finally, he is able to reach a mallet and clobber the tiger, but not before the lions also escape. As Oswald makes his way down, the lions run across the stage, leaping into the crowd and straight at the viewer. It’s a magnificent piece of animation.
The crowd runs out of the theatre, deflating the theatre, but Oswald sneaks out the side. The lions chase him off into the sunset.
I am not doing this justice, as I’m short on time today, but
Bright Lights is a magnificent short. The two main things I was struck by were the great gags and humor, and Oswald’s appearance. He looks more like the later Mickey in this short than I have seen in the previous ones. I don’t know if that is an evolution from
The Ocean Hop to now in the intervening shorts that I don’t have, but it’s very noticeable. If you are on the fence, go get this DVD now and you won’t be sorry if you watch Bright Lights.
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